我很多项目的灵感是来源于生活，因为我认为在旅行和生活中看到的一些风景和了解不同的地区的文化都是很美好的经历，这个项目是我在去云南的时候学习到的一些少数民族文化发展而来的，白族是在云南的少数民族，我和当地少数民族一起生活了几天，学习了古法扎染，那里的扎染是运用的最古朴的方法，虽然过程比较复杂，而且染料也比较难保存，但是植物扎染可以最大程度的做到无污染，我对当地的艺术家的装置艺术作品做了研究，他运用了很多压褶做作品，我认为无论是从视觉冲击力还是作品工艺都非常优秀，所以我在做面料和成衣的时候也用了很多压褶。

In thisproject a lot of inspiration comes from life, I think travel and see some of the scenery and understand different cultures are all very good experience, the project is came from when I go to yunnan to learn some of the ethnic culture development, bai ethnic minorities in yunnan. The local ethnic minorities and I live together for a few days, studied the ancient tie-dye, tie-dye they are using the most primitive simplicity method, although the process is complicated, and the dye is difficult to save, but plants-dying can do no pollution to a great extent, my installation art works of local artists to do the research, he used a lot of pressure plait to do work, I think both from the visual impact and work process are very good, So I also use a lot of pleating when I do fabrics and ready-to-wear.