自从我开始研究“工业理性”以来，我一直在生活的不同方面不断观察这种风格的元素。在电影、插图和艺术作品中，我经常在设计和场景中发一些元素，让我感到与这种风格有联系。
它从来没有被人单独研究过，这在现代美学理论中大概是没有必要的。推动我研究的更多是个人兴趣。在这个项目中，我有意淡化了对作品内涵的阐释，所以表达的意义相对简单，是关于“现代信息源的虚假性”，更强调的是作品本身的美学风格。我选择以“现成品”的形式完成最终的产出。

Since I began to study “Industrial rationalism”, I’ve been constantly reinforcing elements of this style in different aspects of life.In films, illustrations and works of art, I constantly recognize elements of this style in art designs and scenes, which makes me feel connected to this style.
it has never been isolated, which is probably not necessary in modern aesthetic theory. What drives my research is a much more personal interest. In regards to this project, I deliberately weakened the interpretation of the connotation of the artwork, so the meaning expressed is relatively simple,which is about “the falseness of modern information sources”Greater emphasis was attributed to the aesthetic style of the artwork itself. I choose to complete the final product in the form of “found object”.