这个作品旨在探讨音乐性即兴在本体论中的意义。在找到这个意义之后我选择使用非文本的方式去强迫人进入一种实践类似这种本体论的状态，而不是试图去诠释这个本体论的意义何在。

This work is intended to discuss how the ontology in musical improvisation works. After finding how it works I chose to use a non-text way to force a state that is similar to the method of that ontology, instead of trying to describe the ontology.